1. |
AGE OF NOISE. (Dub Mix).
02:17
|
|||
|
Not here in the darkness this twittering world.
Illuminate pray illuminate.
The constant white noise, the half heard / half digested.
Decipher and gorge.
The nostalgic impulse for a past
Somehow better than a future once promised.
There's a thousand and one things I want to say to you.
Clammed up amidst the clamour and all the faces.
Gradually simplify
Gradually pare back
Silence in the age of noise.
|
||||
2. |
||||
|
Not here in the darkness this twittering world.
Illuminate pray illuminate.
The constant white noise, the half heard / half digested.
Decipher and gorge.
The nostalgic impulse for a past
Somehow better than a future once promised.
There's a thousand and one things I want to say to you.
Clammed up amidst the clamour and all the faces.
Gradually simplify
Gradually pare back
Silence in the age of noise.
|
||||
3. |
CRACKS. (Lo-Fi Mix).
03:32
|
|||
|
Up to your ankles. Up to your knees. Up to your waist. Up to your neck
Up to your ankles. Up to your knees. Up to your waist. Over your head.
Up to your ankles. Up to your knees. Up to your waist. Up to your neck
Up to your ankles. Up to your knees. Up to your waist. Over your head.
Up to your ankles. Up to your knees. Up to your waist. Up to your neck
Up to your ankles. Up to your knees. Up to your waist. Over your head.
Up to your ankles. Up to your knees. Up to your waist. Up to your neck
Up to your ankles. Up to your knees. Up to your waist. Over your head.
|
||||
4. |
CRACKS. (Dub Mix).
02:19
|
|||
|
Up to your ankles. Up to your knees. Up to your waist. Up to your neck
Up to your ankles. Up to your knees. Up to your waist. Over your head.
Up to your ankles. Up to your knees. Up to your waist. Up to your neck
Up to your ankles. Up to your knees. Up to your waist. Over your head.
Up to your ankles. Up to your knees. Up to your waist. Up to your neck
Up to your ankles. Up to your knees. Up to your waist. Over your head.
Up to your ankles. Up to your knees. Up to your waist. Up to your neck
Up to your ankles. Up to your knees. Up to your waist. Over your head.
|
||||
5. |
SKIN I WEAR. (Dub Mix).
03:23
|
|||
|
THE SKIN I WEAR.
A HARDENED SUIT.
FRAYED STRETCHED AND BAGGY.
WE FOLLOW THE MAP SHAPE.
WE VOTE IN THE RULE SHAPE.
WE TRIGGER THE BULLET SHAPE.
MISSING THE RIGHT SHAPE.
MISSING THE RIGHT SHAPE.
WE HAVE LOST THE HEART SHAPE.
I PEER INSIDE.
THE CONTENTS ARE CORRUPTED.
WAY PAST THEIR SELL BY DATE.
|
||||
6. |
||||
|
THE SKIN I WEAR.
A HARDENED SUIT.
FRAYED STRETCHED AND BAGGY.
WE FOLLOW THE MAP SHAPE.
WE VOTE IN THE RULE SHAPE.
WE TRIGGER THE BULLET SHAPE.
MISSING THE RIGHT SHAPE.
MISSING THE RIGHT SHAPE.
WE HAVE LOST THE HEART SHAPE.
I PEER INSIDE.
THE CONTENTS ARE CORRUPTED.
WAY PAST THEIR SELL BY DATE.
|
||||
audio maps Sheffield, UK
Process Akai Desktop Samplers | Eight Track Porta-studio | Record Decks and Knackered Records | A Music Box | A Megaphone |
Voice | Bass
Field recordings and collaged soundscapes that are filtered, re-sampled, looped. Re-configured and re-constructed.
Loops. Samples. Sequences. A whisper. A sense of place.
... more
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