1. |
TIME.
03:44
|
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|
Time on my hands and the time on the wall is ten.
The second hand is slower and louder than it really should be.
I can hear my heart beat in my ears.
Time on my hands. Time to act. Time to care.
Time, is of the essence.
And that essence is rare.
|
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2. |
THEY LIVE.
03:37
|
|||
|
Lie back and think of England, Ingerland.
Bend over think of England, Ingerland.
On your knees, on your knees,
Think of Ingerland, think of Ingerland.
Lie back and think of England, Ingerland.
Bend over think of England, Ingerland.
On your knees!
|
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3. |
THE NEXT ROOM.
04:03
|
|||
|
Turn on, tune in, drop out.
Pick up, log in, switch off.
When you wake up, eventually,
Whats right and proper will sort of suggest itself.
You hope.
When you wake up things will become clearer, audible.
Like the glitching sound in the next room,
And the next room,
And the next room.
You hope.
In the liminal spaces.
In the no place - displaced.
One above one below
Us and them, us or them.
In the in-between places.
And the weight of decay.
One above one below
You and me, you or me.
To punch up or punch down?
Where the air is sucked out
Of the screaming silence.
In the next room, and the next room,
And the next room and the next room.
|
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4. |
BREATHE.
03:15
|
|||
|
SOMETHINGS NOT QUITE RIGHT ‘ROUND HERE
SOMETHINGS NOT RIGHT ‘ROUND HERE
|
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audio maps Sheffield, UK
Process Akai Desktop Samplers | Eight Track Porta-studio | Record Decks and Knackered Records | A Music Box | A Megaphone |
Voice | Bass
Field recordings and collaged soundscapes that are filtered, re-sampled, looped. Re-configured and re-constructed.
Loops. Samples. Sequences. A whisper. A sense of place.
... more
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